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Chapter 9 of 45

Red RisingChapter 8: Dancer

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8

Dancer

Dancer looks through me. He’s near enough my height, which is

rare. But he’s thick and terribly old, maybe in his forties. White

swirls from his temples. A dozen twin scars mark his neck. I’ve seen

their sort before. Pitviper bites. The arm on the left side of his body

hangs limp. Nerve damage. But his eyes arrest me; they are brighter

than most, swirling with patterns of true red, not rust red. He has a

fatherly smile.

“You must be wondering who we are,” Dancer says gently. He’s

big but his voice is easy. Eight Reds are with him, all men except for

Harmony, and they watch him with adoring eyes. All miners, I

think, each with the scarred, strong hands of our kind. They move

with the grace of our people. No doubt some were jumpers and

boasters, as we call those who run along the walls and perform the

ips at dances. Any Helldivers?

“He’s not wondering.” Harmony takes time with the words,

rolling them along her tongue. She squeezes Dancer’s hand as she

passes around him to look at me. “Bloodydamn runt pegged it an

hour ago.”

“Ah.” Dancer smiles softly at her. “Of course he did, otherwise

Ares wouldn’t have asked us to risk extracting him here. Do you

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know where here is, Darrow?”

“It doesn’t matter,” I murmur. I look around at the walls, the men,

the swaying lights. Everything is so cold, so dirty. “What matters is

…” I fail to nish my own sentence. A thought of Eo severs my

voice. “What matters is that you want something from me.”

“Yes, that matters,” says Dancer. His hand touches my shoulder.

“But that can wait. I’m surprised you’re standing. The wounds on

your back are sullied. You’ll need antibac and skinres to stop the

scarring.”

“Scars don’t matter,” I say. I stare at the two blood drops that

trickle from my shirttail to the oor. My wounds reopened when I

climbed from the grave. “Eo is … dead, yes?”

“Yes. She is. We couldn’t save her, Darrow.”

“Why not?” I ask.

“We just couldn’t.”

“Why not?” I repeat. I glare up at him, glare at his followers and

hiss the words one by one. “You saved me. You could have saved

her. She is the one you would have wanted. The bloodydamn

martyr. She cared about all this. Or does Ares only need Sons, not

Daughters?”

“Martyrs are a dime a dozen,” Harmony yawns.

I slip forward like a serpent and grab her around the throat;

waves of anger ripple through my face till it goes numb and I feel

tears welling behind my eyes. Scorchers whine as they’re primed

around me. One jams into the back of my neck. I feel its cold

muzzle.

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“Let her go!” someone shouts. “Do it, boy!”

I spit at them, shake Harmony once and toss her aside. She

crouches on the oor, hacking, and then a knife glimmers in her

hand as she rises.

Dancer stumbles between us. “Stop it! Both of you! Darrow,

please!”

“Your girl was a dreamer, boy,” Harmony spits at me from

Dancer’s other side. “As worthless as a ame over water …”

“Harmony, shut your bloodydamn gob,” Dancer barks. “Put those

damn things away.” The scorchers go quiet. A tense silence follows

and he leans in close to speak with me. His voice lowers. My breath

is fast. “Darrow, we’re friends. We’re friends. Now, I can’t answer

for Ares—why he couldn’t help us save your girl; I am just one of

his hands. I can’t wash away the pain. I can’t bring your wife back

to you. But, Darrow, look at me. Look at me, Helldiver.” I do. Right

into those blood-red eyes. “I can’t do many things. But I can bring

you justice.”

Dancer goes to Harmony and whispers something, likely telling

her that we’re to be friends. We won’t be. But I promise not to choke

her and she promises not to stab me.

She is quiet as she guides me from the others through cramped

metal hallways to a small door opened by twisting a knob. Our feet

echo over rusting walkways. The room is small and littered with

tables and medical supplies. She has me strip and sit on one of the

cold tables so she can clean my wounds. Her hands are not gentle as

they scrub dirt from my lacerated back. I try not to scream.

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“You’re a fool,” she says as she scrapes rock out of a deep wound.

I wheeze in pain and try to say something, but she jams her nger

into my back, cutting me short.

“Dreamers like your wife are limited, little Helldiver.” She makes

sure I don’t speak. “Understand that. The only power they have is in

death. The harder they die, the louder their voice, the deeper the

echoes. But your wife served her purpose.”

Her purpose. It sounds so cold, so distant and sad, as though my

girl of smiles and laughter was meant for nothing but death.

Harmony’s words carve into me and I stare at the metal grating

before turning to look into her angry eyes.

“Then what is your purpose?” I ask.

She holds up her hands, caked with dirt and blood.

“The same as yours, little Helldiver. To make the dream come

true.”

After Harmony scours my back of dirt and gives me a dose of

antibac, she takes me to a room next to humming generators. The

squat quarters are lined with cots and a liquid ush. She leaves me

to it. The shower is a terrifying thing. Though it’s gentler than the

air of the Flush, half the time I feel like I’m drowning, the other half

I nd a mixture of ecstasy and agony. I turn the heat nozzle till

steam rises thick and pain lances my back.

The pain makes my thoughts of Eo seem like silly things. It gives

false perspective. I want to like the pain, but I can only handle so

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much. The mixture of water and blood pools at my pale feet. The

thought of Eo’s feet dangling makes me fall sobbing to the oor. I

push my back into the side of the shower till the pain stops my

thinking and I bite my tongue bloody. I’m not as tough as I thought

I was. No Helldiver really is. No man really is.

I’m a man, I remember, not a boy. A man of sixteen. When I

married Eo, I felt so strong and wise. When I buried her, all that

went away. Sixteen. Almost seventeen. Only nine years younger

than my father when he died at twenty and ve. It seems a lifetime.

Clean, I dress in the strange garments they’ve set out for me. It’s

not a jumpsuit or homespun weave like I’m used to wearing. The

material is sleek, elegant, like something someone of a dierent

Color would wear. It is black, much like a short robe, and does not

hurt my back as I slide it on. There’s a high collar and epaulets. The

pants are black and tight, the shoes soft and strange.

Dancer comes into the room when I’m half dressed. His left foot

drags behind him, almost as useless as his left arm. Yet still he’s an

impressive man, thicker than Barlow, handsomer than me despite

his age and the bite scars on his neck. He carries a tin bowl and sits

on one of the cots, which creaks against his weight.

“We saved your life, Darrow. So your life is ours, do you not

agree?”

“My uncle saved my life,” I say.

“The drunk?” Dancer snorts. “The best thing he ever did was tell

us about you. And he should have done that when you were a boy,

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but he kept you a secret. He’s worked for us since before your

father’s death as an informer, you know.”

“Is he hanged now?”

“Now that he pulled you down? I should hope not. We gave him a

jammer to shut o their ancient cameras. He did the work of a

ghost.”

Uncle Narol. HeadTalk, but drunk as a fool. I always thought him

weak. He still is. No strong man would drink like him or be so

bitter. But he never earned the disdain I gave him. Yet why did he

not save Eo?

“You act like my uncle bloodydamn owed you,” I say.

“He owes his people.”

“People.” I laugh at the term. “There is family. There is clan. There

may even be township and mine, but people? People. And you act as

though you’re my representative, as though you have a right to my

life. But you are just a fool, all you Sons of Ares.” My voice is

withering in its condescension. “Fools who can do nothing but blow

things up. Like children kicking pitviper nests in rage.”

That’s what I want to do. I want to kick, to lash out. That’s why I

insult him, that’s why I spit on the Sons even though I have no real

cause to hate them.

Dancer’s handsome face curles into a tired smile, and it’s only

then that I realize how feeble his dead arm really is—thinner than

his muscular right arm, bent like a ower’s root. But despite the

withered limb, there’s a twisted menace to Dancer, a less obvious

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sort than that in Harmony. It comes out when I laugh at him, when I

scorn him and his dreams.

“Our informants exist to feed us information and to help us nd

us the outliers so we can extract the best of Red from the mines.”

“So you can use us.”

Dancer smiles tightly and picks the bowl up from the cot. “We

will play a game to see if you are one of these outliers, Darrow. If

you win, I will take you to see something few lowReds have seen.”

LowReds. I’ve never heard the term before.

“And If I lose?”

“Then you are not an outlier and the Golds win yet again.”

I inch at the notion.

He holds out a bowl and explains the rules. “There are two cards

in the bowl. One bears the reaper’s scythe. The other bears a lamb.

Pick the scythe and you lose. Pick the lamb and you win.”

Except I notice his voice uctuate when he says this last bit. This

is a test. Which means there is no element of luck to it. It must then

be measuring my intelligence, which means there is a kink. The only

way the game could test my intelligence is if the cards are both

scythes; that’s the singular variable that could be altered. Simple. I

stare into Dancer’s handsome eyes. It is a rigged game; I’m used to

these, and usually I follow the rules. Just not this time.

“I’ll play.”

I reach into the bowl and pull free a card, taking care that only I

can see its face. It is a scythe. Dancer’s eyes never leave mine.

“I win,” I say.

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He reaches for the card to see its face, but I shove it in my mouth

before he can take hold of it. He never sees what I drew. Dancer

watches me chew on the paper. I swallow and pull the remaining

card from the bowl and toss it at him. A scythe.

“The lamb card simply looked too good not to eat,” I say.

“Perfectly understandable.”

The red in his eyes twinkles and he sets the bowl aside. Warmth

of character returns to him, as if he’d never been a menace. “Do you

know why we call ourselves Sons of Ares, Darrow? To the Romans,

Mars was the god of war—a god of military glory, defense of the

hearth and home. Honorable and all. But Mars is a fraud. He is a

romanticized version of the Greek god Ares.”

Dancer lights a burner and hands a second one to me. The

generators buzz freshly and the burner lls me with a similar haze

as its smoke curls through my lungs.

“Ares was a bastard, an evil patron of rage, violence, bloodlust,

and massacre,” he says.

“So by naming yourselves after him, you’re pointing to the truth

of things within the Society. Cute.”

“Something like that. The Golds would prefer for us to forget

history. And most of us have, or were never taught it. But I know

how Gold rose to power hundreds of years ago. They call it the

Conquering. They butchered any who contested them. Massacred

cities, continents. Not many years ago, they reduced an entire world

to ash—Rhea. Nuked it to oblivion. It was with Ares’s wrath that

they acted. And now we are the sons of that wrath.”

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“Are you Ares?” I ask, voice hushed. Worlds. They’ve destroyed

worlds. But Rhea is so much farther out from Earth than Mars. It’s

one of Saturn’s moons, I think. Why would they nuke a world all the

way out there?

“No. I’m not Ares,” he answers.

“But you belong to him.”

“I belong to no one but Harmony and my people. I am like you,

Darrow, born to a clan of earth diggers, miners from the colony

Tyros. Only I know more of the world.” He frowns at my impatient

expression. “You think me a terrorist. I am not.”

“No?” I ask.

He leans back and takes a drag on his burner.

“Imagine there was a table covered with eas,” he explains. “The

eas would jump and jump to heights unknown. Then a man came

along and upturned a glass jar over the eas. The eas jumped and

hit the top of the jar and could go no farther. Then the man

removed the jar and yet the eas did not jump higher than they had

grown accustomed, because they believed there to still be a glass

ceiling.” He breathes out smoke. I see his eyes glow through it like

the ember tip of his burner. “We are the eas who jump high. Now

let me show you just how high.”

Dancer takes me down a rickety corridor to a cylindrical metal

lift. It’s a rusty thing, heavy, and it squeals as we rise steadily

upward.

“You should know that your wife didn’t die in vain, Darrow. The

Greens who help us hijacked the broadcast. We hacked in and

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played the true version over every HC on our planet. The planet, the

clans of the hundred thousand mining colonies and those in the

cities, have heard your wife’s song.”

“You tell tall tales,” I grumble. “There aren’t half that many

colonies.”

He ignores me. “They heard her song and they call her

Persephone already.”

I inch and look over at him. No. That is not her name. She is not

their symbol. She doesn’t belong to these brigands with trumped-up

names.

“Her name is Eo,” I sneer. “And she belongs to Lykos.”

“She belongs to her people now, Darrow. And they remember the

old tales of a goddess stolen from her family by the god of death.

Yet even when she was stolen, death could not forever keep her. She

was the Maiden, the goddess of spring destined to return after each

winter. Beauty incarnate can touch life even from the grave; that’s

how they think of your wife.”

“She’s not coming back,” I say to end the conversation. It is futile

debating with this man. He just rolls on.

Our lift comes to a halt and we exit into a small tunnel. Following

it, we come to another lift of sleeker metal, better maintained. Two

Sons guard it with scorchers. Soon we’re going upward again.

“She will not come back, but her beauty, her voice, will echo until

the end of time. She believed in something beyond herself, and her

death gave her voice power it didn’t have in life. She was pure, like

your father. We, you and I”—he touches my chest with the back of

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his index nger—“are dirty. We are made for blood. Rough hands.

Dirty hearts. We are lesser creatures in the grand scheme of things,

but without us men of war, no one except those of Lykos would hear

Eo’s song. Without our rough hands, the dreams of the pure hearts

would never be built.”

“Cut to the point,” I interrupt. “You want me for something.”

“You tried to die before,” Dancer says. “Do you want to do so

again?”

“I want …” What do I want? “I want to kill Augustus,” I say,

remembering the cold Golden face as it commanded my wife’s

death. It was so distant, so uncaring. “He will not live while Eo lies

dead.” I think of Magistrate Podginus and Ugly Dan. I will kill them

too.

“Vengeance then,” he sighs.

“You said you could give it to me.”

“I said I would give you justice. Vengeance is an empty thing,

Darrow.”

“It will ll me. Help me kill the ArchGovernor.”

“Darrow, you set your sights too low.” The lift picks up speed. My

ears pop. Up and up and up. How far does this lift rise? “The

ArchGovernor is merely one of the most important Golds on Mars.”

Dancer hands me a pair of tinted glasses. I put them on tentatively

as my heart thuds in my chest. We’re going to the surface. “You

must widen your gaze.”

The lift stops. The doors open. And I am blind.

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Behind the glasses, my pupils constrict to adjust to the light.

When at last I’m able to open my eyes, I expect to see a massive

glowing bulb or a are, some source to the light. But I see nothing.

The light is ambient, from some distant, impossible source. Some

human instinct in me knows this power, knows this primal origin of

life. The sun. Daylight. My hands tremble and I step with Dancer

from the elevator. He does not speak. I doubt I would hear him even

if he did.

We stand in a room of strange makings, unlike any I’ve imagined.

There is a substance underfoot, hard but neither metal nor rock.

Wood. I know it from the HC pictures of Earth. A carpet of a

thousand hues spreads over it, soft under my feet. The walls around

are of red wood, carved with trees and deer. Soft music plays in the

distance. I follow the tune deeper into the room, toward the light.

I nd a bank of glass, a large wall that lets the sun in to shine

across the length of a squat black instrument with white keys, which

plays itself in a tall room with three walls and a long bank of glass

windows. Everything is so smooth. Beyond the instrument, beyond

the glass, lies something I don’t understand. I stumble toward the

window, toward the light, and fall to my knees, pressing my hands

against the barrier. I moan one long note.

“Now you understand,” Dancer says. “We are deceived.”

Beyond the glass sprawls a city.

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