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Chapter 7 of 20

YEAR OF THE DEPEND ADULT UNDERGARMENT

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YEAR OF THE DEPEND ADULT

UNDERGARMENT

Here’s Hal Incandenza, age seventeen, with his little brass one-hitter, getting covertly high in the Enfield Tennis Academy’s underground Pump Room and exhaling palely into an industrial exhaust fan. It’s the sad little interval after afternoon matches and conditioning but before the Academy’s communal supper. Hal is by himself down here and nobody knows where he is or what he’s doing.

Hal likes to get high in secret, but a bigger secret is that he’s as attached to the secrecy as he is to getting high.

A one-hitter, sort of like a long FDR-type cigarette holder whose end is packed with a pinch of good dope, gets hot and is hard on the mouth — the brass ones especially — but one-hitters have the advantage of efficiency: every particle of ignited pot gets inhaled; there’s none of the incidental secondhand-type smoke from a party bowl’s big load, and Hal can take every iota way down deep and hold his breath forever, so that even his exhalations are no more than slightly pale and sick-sweet-smelling.

Total utilization of available resources = lack of publicly detectable waste.

The Academy’s tennis courts’ Lung’s Pump Room is underground and accessible only by tunnel. E.T.A. is abundantly, embranchingly tunnelled.

This is by design.

Plus one-hitters are small, which is good, because let’s face it, anything you use to smoke high-resin dope with is going to stink. A bong is big, and its stink is going to be like commensurately big, plus you have the foul bong-water to deal with. Pipes are smaller and at least portable, but they always come with only a multi-hit party bowl that disperses nonutilized smoke over a wide area. A one-hitter can be wastelessly employed, then

allowed to cool, wrapped in two baggies and then further wrapped and sealed in a Ziploc and then enclosed in two sport-socks in a gear bag along with the lighter and eyedrops and mint-pellets and the little film-case of dope itself, and it’s highly portable and odor-free and basically totally covert.

As far as Hal knows, colleagues Michael Pemulis, Jim Struck, Bridget C. Boone, Jim Troeltsch, Ted Schacht, Trevor Axford, and possibly Kyle D.

Coyle and Tall Paul Shaw, and remotely possibly Frannie Unwin, all know Hal gets regularly covertly high. It’s also not impossible that Bernadette Longley knows, actually; and of course the unpleasant K. Freer always has suspicions of all kinds. And Hal’s brother Mario knows a thing or two. But that’s it, in terms of public knowledge. And but even though Pemulis and Struck and Boone and Troeltsch and Axford and occasionally (in a sort of medicinal or touristic way) Stice and Schacht all are known to get high also, Hal has actually gotten actively high only with Pemulis, on the rare occasions he’s gotten high with anybody else, as in in person, which he avoids. He’d forgot: Ortho (‘The Darkness’) Stice, of Partridge KS, knows; and Hal’s oldest brother, Orin, mysteriously, even long-distance, seems to know more than he’s coming right out and saying, unless Hal’s reading more into some of the phone-comments than are there.

Hal’s mother, Mrs. Avril Incandenza, and her adoptive brother Dr.

Charles Tavis, the current E.T.A. Headmaster, both know Hal drinks alcohol sometimes, like on weekend nights with Troeltsch or maybe Axford down the hill at clubs on Commonwealth Ave.; The Unexamined Life has its notorious Blind Bouncer night every Friday where they card you on the Honor System. Mrs. Avril Incandenza isn’t crazy about the idea of Hal drinking, mostly because of the way his father had drunk, when alive, and reportedly his father’s own father before him, in AZ and CA; but Hal’s academic precocity, and especially his late competitive success on the junior circuit, make it clear that he’s able to handle whatever modest amounts she’s pretty sure he consumes — there’s no way someone can seriously abuse a substance and perform at top scholarly and athletic levels, the E.T.A. psych-counselor Dr. Rusk assures her, especially the high-level- athletic part — and Avril feels it’s important that a concerned but un- smothering single parent know when to let go somewhat and let the two high-functioning of her three sons make their own possible mistakes and

learn from their own valid experience, no matter how much the secret worry about mistakes tears her gizzard out, the mother’s. And Charles supports whatever personal decisions she makes in conscience about her children.

And God knows she’d rather have Hal having a few glasses of beer every so often than absorbing God alone knows what sort of esoteric designer compounds with reptilian Michael Pemulis and trail-of-slime-leaving James Struck, both of whom give Avril a howling case of the maternal fantods.

And ultimately, she’s told Drs. Rusk and Tavis, she’d rather have Hal abide in the security of the knowledge that his mother trusts him, that she’s trusting and supportive and doesn’t judge or gizzard-tear or wring her fine hands over his having for instance a glass of Canadian ale with friends every now and again, and so works tremendously hard to hide her maternal dread of his possibly ever drinking like James himself or James’s father, all so that Hal might enjoy the security of feeling that he can be up-front with her about issues like drinking and not feel he has to hide anything from her under any circumstances.

Dr. Tavis and Dolores Rusk have privately discussed the fact that not least among the phobic stressors Avril suffers so uncomplainingly with is a black phobic dread of hiding or secrecy in all possible forms with respect to her sons.

Avril and C. T. know nothing about Hal’s penchants for high-resin Bob Hope and underground absorption, which fact Hal obviously likes a lot, on some level, though he’s never given much thought to why. To why he likes it so much.

E.T.A.’s hilltop grounds are traversable by tunnel. Avril I., for example, who never leaves the grounds anymore, rarely travels above ground, willing to hunch to take the off-tunnels between Headmaster’s House and her office next to Charles Tavis’s in the Community and Administration Bldg., a pink- bricked white-pillared neo-Georgian thing that Hal’s brother Mario says 3 looks like a cube that has swallowed a ball too big for its stomach. Two sets of elevators and one of stairs run between the lobby, reception area, and administrative offices on Comm.-Ad.’s first floor and the weight room, sauna, and locker/shower areas on the sublevel below it. One large tunnel of elephant-colored cement leads from just off the boys’ showers to the mammoth laundry room below the West Courts, and two smaller tunnels

radiate from the sauna area south and east to the subbasements of the smaller, spherocubular, proto-Georgian buildings (housing classrooms and subdormitories B and D); these two basements and smaller tunnels often 4serve as student storage space and hallways between various prorectors’ private rooms. Then two even smaller tunnels, navigable by any adult willing to assume a kind of knuckle-dragging simian posture, in turn connect each of the subbasements to the former optical and film- development facilities of Leith and Ogilvie and the late Dr. James O.

Incandenza (now deceased) below and just west of the Headmaster’s House (from which facilities there’s also a fair-diametered tunnel that goes straight to the lowest level of the Community and Administration Bldg., but its functions have gradually changed over four years, and it’s now too full of exposed wiring and hot-water pipes and heating ducts to be really passable) and to the offices of the Physical Plant, almost directly beneath the center row of E.T.A. outdoor tennis courts, which offices and custodial lounge are in turn connected to E.T.A.’s Lung-Storage and -Pump Rooms via a pargeted tunnel hastily constructed by the TesTar All-Weather Inflatable Structures Corp., which together with the folks over at ATHSCME Industrial Air Displacement Devices erects and services the inflatable dendriurethane dome, known as the Lung, that covers the middle row of courts for the winter indoor season. The crude little rough-sided tunnel between Plant and Pump is traversable only via all-fours-type crawling and is essentially unknown to staff and Administration, popular only with the Academy’s smaller kids’ Tunnel Club, as well as with certain adolescents with strong secret incentive to crawl on all fours.

The Lung-Storage Room is basically impassable from March through November because it’s full of intricately folded dendriurethane Lung- material and dismantled sections of flexible ducting and fan-blades, etc.

The Pump Room is right next to it, though you have to crawl back out into the tunnel to get to it. On the engineering diagrams the Pump Room’s maybe about twenty meters directly beneath the centermost courts in the middle row of courts, and looks like a kind of spider hanging upside-down — an unfenestrated oval chamber with six man-sized curved ducts radiating up and out to exit points on the grounds above. And the Pump Room has six radial openings, one for each upcurving duct: three two-meter vents with

huge turbine-bladed exhaust fans bolted into their grilles and three more 2M’s with reversed ATHSCME intake fans that allow air from the ground above to be sucked down and around the room and up into the three exhaust vents. The Pump Room is essentially like a pulmonary organ, or the epicenter of a massive six-vectored wind tunnel, and when activated roars like a banshee that’s slammed its hand in a door, though the P.R.’s in full legit operation only when the Lung is up, usually November–March. The intake fans pull ground-level winter air down into and around the room and through the three exhaust fans and up the outtake ducts into networks of pneumatic tubing in the Lung’s sides and dome: it’s the pressure of the moving air that keeps the fragile Lung inflated.

When the courts’ Lung is down and stored, Hal will descend and walk and then hunch his way in to make sure nobody’s in the Physical Plant quarters, then he’ll hunch and crawl to the P.R., gear bag in his teeth, and activate just one of the big exhaust fans and get secretly high and exhale palely through its blades into the vent, so that any possible odor is blown through an outtake duct and expelled through a grille’d hole on the west side of the West Courts, a threaded hole, with a flange, where brisk white- suited ATHSCME guys will attach some of the Lung’s arterial pneumatic tubing at some point soon when Schtitt et al. on Staff decide the real weather has moved past enduring for outdoor tennis.

During winter months, when any expelled odor would get ducted up into the Lung and hang there conspicuous, Hal mostly goes into a remote subdormitory lavatory and climbs onto a toilet in a stall and exhales into the grille of one of the little exhaust fans in the ceiling; but this routine lacks a certain intricate subterranean covert drama. It’s another reason why Hal dreads Interdependence Day and the approach of the WhataBurger classic and Thanksgiving and unendurable weather, and the erection of the Lung.

Recreational drugs are more or less traditional at any U.S. secondary school, maybe because of the unprecedented tensions: post-latency and puberty and angst and impending adulthood, etc. To help manage the intra- psychic storms, etc. Since the place’s inception, there’s always been a certain percentage of the high-caliber adolescent players at E.T.A. who manage their internal weathers chemically. Much of this is good clean temporary fun; but a traditionally smaller and harder-core set tends to rely on personal chemistry to manage E.T.A.’s special demands — dexedrine or

5 6 low-volt methedrine before matches and benzodiazapenes to come back down after matches, with Mudslides or Blue Flames at some understanding 7 Comm. Ave. nightspot or beers and bongs in some discreet Academy corner at night to short-circuit the up-and-down cycle, mushrooms or X or 8 something from the Mild Designer class — or maybe occasionally a little 9 Black Star, whenever there’s a match- and demand-free weekend, to basically short out the whole motherboard and blow out all the circuits and slowly recover and be almost neurologically reborn and start the gradual cycle all over again… this circular routine, if your basic wiring’s OK to begin with, can work surprisingly well throughout adolescence and sometimes into one’s like early twenties, before it starts to creep up on you.

But so some E.T.A.s — not just Hal Incandenza by any means — are involved with recreational substances, is the point. Like who isn’t, at some life-stage, in the U.S.A. and Interdependent regions, in these troubled times, for the most part. Though a decent percentage of E.T.A. students aren’t at all. I.e. involved. Some persons can give themselves away to an ambitious pursuit and have that be all the giving-themselves-away-to-something they need to do. Though sometimes this changes as the players get older and the pursuit more stress-fraught. American experience seems to suggest that people are virtually unlimited in their need to give themselves away, on various levels. Some just prefer to do it in secret.

An enrolled student-athlete’s use of alcohol or illicit chemicals is cause for immediate expulsion, according to E.T.A.’s admissions catalogue. But the E.T.A. staff tends to have a lot more important stuff on its plate than policing kids who’ve already given themselves away to an ambitious competitive pursuit. The administrative attitude under first James Incandenza and then Charles Tavis is, like, why would anybody who wanted to compromise his faculties chemically even come here, to E.T.A., where the whole point is to stress and stretch your faculties along multiple 10 vectors. And since it’s the alumni prorectors who have the most direct supervisory contact with the kids, and since most of the prorectors themselves are depressed or traumatized about not making it into the Show and having to come back to E.T.A. and live in decent but subterranean rooms off the tunnels and work as assistant coaches and teach laughable elective classes — which is what the eight E.T.A. prorectors do, when

they’re not off playing Satellite tournaments or trying to make it through the qualifying rounds of some serious-money event — and so they’re morose and low on morale, and feel bad about themselves, often, as a rule, and so also not all that surprisingly tend to get high now and then themselves, though in a less covert or exuberant fashion than the hard-core students’ chemical cadre, but so given all this it’s not hard to see why internal drug- enforcement at E.T.A. tends to be flaccid.

The other nice thing about the Pump Room is the way it’s connected by tunnel to the prorectors’ rows of housing units, which means men’s rooms, which means Hal can crawl, hunch, and tiptoe into an unoccupied men’s room and brush his teeth with his portable Oral-B and wash his face and apply eyedrops and Old Spice and a plug of wintergreen Kodiak and then saunter back to the sauna area and ascend to ground level looking and smelling right as rain, because when he gets high he develops a powerful obsession with having nobody — not even the neurochemical cadre — know he’s high. This obsession is almost irresistible in its force. The amount of organization and toiletry-lugging he has to do to get secretly high in front of a subterranean outtake vent in the pre-supper gap would make a lesser man quail. Hal has no idea why this is, or whence, this obsession with the secrecy of it. He broods on it abstractly sometimes, when high: this No- One-Must-Know thing. It’s not fear per se, fear of discovery. Beyond that it all gets too abstract and twined up to lead to anything, Hal’s brooding. Like most North Americans of his generation, Hal tends to know way less about why he feels certain ways about the objects and pursuits he’s devoted to than he does about the objects and pursuits themselves. It’s hard to say for sure whether this is even exceptionally bad, this tendency.

At 0015h., 2 April, the medical attaché’s wife is just leaving the Mount Auburn Total Fitness Center, having played five six-game pro-sets in her little Mideast-diplomatic-wife-tennis-circle’s weekly round-robin, then hung around the special Silver-Key-Members’ Lounge with the other ladies, 11 unwrapping her face and hair and playing Narjees and all smoking kif and making extremely delicate and oblique fun of their husbands’ sexual idiosyncrasies, laughing softly with their hands over their mouths. The medical attaché, at their apartment, is still viewing the unlabelled cartridge, which he has rewound to the beginning several times and then configured

for a recursive loop. He sits there, attached to a congealed supper, watching, at 0020h., having now wet both his pants and the special recliner.

Eighteen in May, Mario Incandenza’s designated function around Enfield Tennis Academy is filmic: sometimes during A.M. drills or P.M. matches he’ll be assigned by Coach Schtitt et al. to set up an old camcorder or whatever video stuff’s to hand on a tripod and record a certain area of court, videotaping different kids’ strokes, footwork, certain tics and hitches in serves or running volleys, so the staff can show the tapes to the kids instructionally, letting the kids see on the screen exactly what a coach or prorector’s talking about. The reason being it’s a lot easier to fix something if you can see it.

AUTUMN — YEAR OF DAIRY PRODUCTS FROM THE AMERICAN HEARTLAND

Drug addicts driven to crime to finance their drug addiction are not often inclined toward violent crime. Violence requires all different kinds of energy, and most drug addicts like to expend their energy not on their professional crime but on what their professional crime lets them afford.

Drug addicts are often burglars, therefore. One reason why the home of someone whose home has been burglarized feels violated and unclean is that there have probably been drug addicts in there. Don Gately was a twenty-seven-year-old oral narcotics addict (favoring Demerol and Talwin 12 ), and a more or less professional burglar; and he was, himself, unclean and violated. But he was a gifted burglar, when he burgled — though the size of a young dinosaur, with a massive and almost perfectly square head he used to amuse his friends when drunk by letting them open and close elevator doors on, he was, at his professional zenith, smart, sneaky, quiet, quick, possessed of good taste and reliable transportation — with a kind of ferocious jolliness in his attitude toward his livelihood.

As an active drug addict, Gately was distinguished by his ferocious and jolly élan. He kept his big square chin up and his smile wide, but he bowed neither toward nor away from any man. He took zero in the way of shit and was a cheery but implacable exponent of the Don’t-Get-Mad-Get-Even

school. Like for instance once, after he’d done a really unpleasant three- month bit in Revere Holding on nothing more than a remorseless North Shore Assistant District Attorney’s circumstantial suspicion, finally getting out after 92 days when his P.D. got the charges dismissed on a right-to- 13 speedy brief, Gately and a trusted associate paid a semiprofessional visit to the private home of this Assistant D.A. whose zeal and warrant had cost Gately a nasty impromptu detox on the floor of his little holding-cell. Also a believer in the Revenge-Is-Tastier-Chilled dictum, Gately had waited patiently until the ‘Eye On People’ section of the Globe mentioned the A.D.A. and his wife’s presence at some celebrity charity sailing thing out in Marblehead. Gately and the associate went that night to the A.D.A.’s private home in the upscale Wonderland Valley section of Revere, killed the power to the home with a straight shunt in the meter’s inflow, then clipped just the ground wire on the home’s pricey HBT alarm, so that the alarm’d sound after ten or so minutes and create the impression that the perps had somehow bungled the alarm and been scared off in the middle of the act.

Later that night, when Revere’s and Marblehead’s Finest summoned them home, the A.D.A. and his wife found themselves minus a coin collection and two antique shotguns and nothing more. Quite a few other valuables were stacked on the floor of the living room off the foyer like the perps hadn’t had time to get them out of the house. Everything else in the burglarized home looked undisturbed. The A.D.A. was a jaded pro: he 14 walked around touching the brim of his hat and reconstructed probable events: the perps looked like they’d bungled disabling the alarm all the way and had got scared off by the thing’s siren when the alarm’s pricey HBT alternate ground kicked in at 300 v. The A.D.A. soothed his wife’s sense of violation and uncleanliness. He calmly insisted on sleeping there in their home that very night; no hotel: it was like crucial to get right back on the emotional horse, in cases like this, he insisted. And then the next day the A.D.A. worked out the insurance and reported the shotguns to a buddy at 15 A.T.F. and his wife calmed down and life went on.

About a month later, an envelope arrived in the A.D.A.’s home’s exquisite wrought-iron mailbox. In the envelope were a standard American Dental Association glossy brochure on the importance of daily oral hygiene — available at like any dentist’s office anywhere — and two high-pixel

Polaroid snapshots, one of big Don Gately and one of his associate, each in a Halloween mask denoting a clown’s great good professional cheer, each with his pants down and bent over and each with the enhanced-focus handle of one of the couple’s toothbrushes protruding from his bottom.

Don Gately had sense enough never to work the North Shore again after that. But he ended up in hideous trouble anyway, A.D.A.-wise. It was either bad luck or kismet or so forth. It was because of a cold, a plain old human rhinovirus. And not even Don Gately’s cold, is what made him finally stop and question his kismet.

The thing started out looking like tit on a tray, burglary-wise. A beautiful neo-Georgian home in a wildly upscale part of Brookline was set nicely back from an unlit pseudo-rural road, had a chintzy SentryCo alarm system that fed, idiotically enough, on a whole separate 330 v AC 90 Hz cable with its own meter, didn’t seem to be on anything like a regular P.M.-patrol route, and had, at its rear, flimsily tasteful French doors surrounded by dense and thorn-free deciduous shrubbery and blocked off from the garage’s halogen floods by a private E.W.D.-issue upscale dumpster. It was in short a real cock-tease of a home, burglary-wise, for a drug addict. And Don Gately 16 straight-shunted the alarm’s meter and, with an associate, broke and entered and crept around on huge cat feet.

Except unfortunately the owner of the house turned out to be still home, even though both of his cars and the rest of his family were gone. The little guy was asleep sick in bed upstairs in acetate pajamas with a hot water 17 bottle on his chest and half a glass of OJ and a bottle of NyQuil and a foreign book and copies of International Affairs and Interdependent Affairs and a pair of thick specs and an industrial-size box of Kleenex on the bedside table and an empty vaporizer barely humming at the foot of the bed, and the guy was to say the least nonplussed to wake up and see high- filter flashlights crisscrossing over the unlit bedroom walls and bureau and teak chiffonnier as Gately and associate scanned for a wall-safe, which surprisingly like 90% of people with wall-safes conceal in their master bedroom behind some sort of land- or seascape painting. People turned out so identical in certain root domestic particulars it made Gately feel strange sometimes, like he was in possession of certain overlarge private facts to which no man should be entitled. Gately had a way stickier conscience

about the possession of some of these large particular facts than he did about making off with other people’s personal merchandise. But then all of a sudden in mid-silent-search for a safe here’s this upscale homeowner turning out to be home with a nasty head-cold while his family’s out on a two-car foliage-tour in what’s left of the Berkshires, writhing groggily and Ny-Quilized around on the bed and making honking adenoidal sounds and asking what in bloody hell is the meaning of this, except he’s saying it in Québecois French, which means to these thuggish U.S. drug addicts in Halloween-clowns’ masks exactly nothing, he’s sitting up in bed, a little and older-type homeowner with a football-shaped head and gray van Dyke and eyes you can tell are used to corrective lenses as he switches on the bright bedside lamp. Gately could easily have screwed out of there and never looked back; but here indeed, in the lamplight, is a seascape over next to the chiffonnier, and the associate has a quick peek and reports that the safe behind it is to laugh at, it can be opened with harsh language, almost; and oral narcotics addicts tend to operate on an extremely rigid physical schedule of need and satisfaction, and Gately is at this moment firmly in the need part of the schedule; and so D. W. Gately disastrously decides to go ahead and allow a nonviolent burglary to become in effect a robbery — which the operative legal difference involves either violence or the coercive threat of same — and Gately draws himself up to his full menacing height and shines his flashlight in the little homeowner’s rheumy eyes and addresses him the way menacing criminals speak in popular entertainment — d’s for th’s, various apocopes, and so on — and takes hold of the guy’s ear and conducts him down to a kitchen chair and binds his arms and legs to the chair with electrical cords neatly clipped from refrigerator and can- opener and M. Café-brand Automatic Café-au-Lait-Maker, binds him just short of gangrenously tight, because he’s hoping the Berkshire foliage is prime and the guy’s going to be soloing in this chair for a good stretch of time, and Gately starts looking through the kitchen’s drawers for the silverware — not the good-silver-for-company silverware; that was in a calfskin case underneath some neatly folded old spare Christmas wrapping in a stunning hardwood-with-ivory-inlay chest of drawers in the living room, where over 90% of upscale people’s good silver is always hidden, 18 and has already been promoted and is piled just off the foyer — but just

the regular old everyday flatware silverware, because the vast bulk of homeowners keep their dish towels two drawers below their everyday- silverware drawer, and God’s made no better call-for-help-stifling gag in the world than a good old oily-smelling fake-linen dish towel; and the bound guy in the cords on the chair suddenly snaps to the implications of what Gately’s looking for and is struggling and saying: Do not gag me, I have a terrible cold, my nose she is a brick of the snot, I have not the power to breathe through the nose, for the love of God please do not gag my mouth; and as a gesture of goodwill the homeowner tells Gately, who’s rummaging, the combination of the bedroom’s seascape safe, except in French numbers, which together with the honking adenoidal inflection the guy’s grippe gives his speech doesn’t even sound like human speech to Gately, and but also the guy tells Gately there are some antique pre-British-takeover Québecois gold coins in a calfskin purse taped to the back of an undistinguished Impressionist landscape in the living room. But everything the Canadian homeowner says means no more to poor old Don Gately, whistling a jolly tune and trying to look menacing in his clown’s mask, than the cries of, say, North Shore gulls or inland grackles; and sure enough the towels are two drawers under the spoons, and here comes Gately across the kitchen looking like a sort of Bozo from hell, and the Québecer guy’s mouth goes oval with horror, and into that mouth goes a balled-up, faintly greasy- smelling kitchen towel, and across the guy’s cheeks and over the dome of protruding linen goes some fine-quality fibrous strapping tape from the drawer under the decommissioned phone — why does everybody keep the serious mailing supplies in the drawer nearest the kitchen phone? — and Don Gately and associate finish their swift and with-the-best-of-intentions nonviolent business of stripping the Brookline home as bare as a post-feral- hamster meadow, and they relock the front door and hit the unlit road in Gately’s reliable and double-mufflered 4×4. And the bound, wheezing, acetate-clad Canadian — the right-hand man to probably the most infamous anti-O.N.A.N. organizer north of the Great Concavity, the lieutenant and trouble-shooting trusted adviser who selflessly volunteered to move with his family to the savagely American area of metro Boston to act as liaison between and general leash-holder for the half-dozen or so malevolent and mutually antagonistic groups of Québecer Separatists and Albertan ultra- rightists united only in their fanatical conviction that the U.S.A.’s

Experialistic ‘gift’ or ‘return’ of the so-calledly ‘Recon-figured’ Great Convexity to its northern neighbor and O.N.A.N. ally constituted an intolerable blow to Canadian sovereignty, honor, and hygiene — this homeowner, unquestionably a V.I.P., although admittedly rather a covert 19 V.I.P., or probably more accurately a ‘P.I.T.,’ in French, this meek- looking Canadian-terrorism-coordinator — bound to his chair, thoroughly 20 gagged, sitting there, alone, under cold fluorescent kitchen lights, the rhinovirally afflicted man, gagged with skill and quality materials — the guy, having worked so hard to partially clear one clotted nasal passage that he tore intercostal ligaments in his ribs, soon found even that pinprick of air blocked off by mucus’s implacable lava-like flow once again, and so has to tear more ligaments trying to breach the other nostril, and so on; and after an hour of struggle and flames in his chest and blood on his lips and the white kitchen towel from trying frantically to tongue the towel out past the tape, which is quality tape, and after hopes skyrocketing when the doorbell rings and then hopes blackly dashed when the person at the door, a young woman with a clipboard and chewing gum who’s offering promotional coupons good for Happy Holidays discounts on memberships of six months or more at a string of Boston non-UV tanning salons, shrugs in her parka and makes a mark on the clipboard and blithely retreats down the long driveway to the pseudo-rural road, an hour of this or more, finally the Québecois P.I.T., after unspeakable agony — slow suffocation, mucoidal or no, being no day at the Montreal Tulip-Fest — at the height of which agony, hearing his head’s pulse as receding thunder and watching his vision’s circle shrink as a red aperture around his sight rotates steadily in from the edges, at the height of which he could think only, despite the pain and panic, of what a truly dumb and silly way this was, after all this time, to die, a thought which the towel and tape denied expression via the rueful grin with which the best men meet the dumbest ends — this Guillaume DuPlessis passed bluely from this life, and sat there, in the kitchen chair, 250 clicks due east of some really spectacular autumn foliage, for almost two nights and days, his posture getting more and more military as rigor mortis set in, with his bare feet looking like purple loaves of bread, from the lividity; and when Brookline’s Finest were finally summoned and got him unbound from the coldly lit chair, they had to carry him out as if he were still seated, so

militarily comme-il-faut had his limbs and spine hardened. And poor old Don Gately, whose professional habit of killing power with straight shunts to a meter’s inflow was pretty much a signature M.O., and who had, of course, a special place in the heart of a remorseless Revere A.D.A. with judicial clout throughout Boston’s three counties and beyond, an of course particularly remorseless A.D.A., as of late, whose wife now needed Valium even just to floss, and was patiently awaiting his chance, the A.D.A. was, coldly biding his time, being a patient Get-Even and Cold-Dish man just like Don Gately, who was, through no will to energy-consuming violence on his part, in the sort of a hell of a deep-shit mess that can turn a man’s life right around.

Year of the Depend Adult Undergarment: InterLace Telentertainment, 932/1864 R.I.S.C. power-TPs w/ or w/o console, Pink, post-Primestar2 D.S.S. dissemination, menus and icons, pixel-free Internet Fax, tri- and quad-modems w/ adjustable baud, Dissemination-Grids, screens so high-def you might as well be there, cost-effective videophonic conferencing, internal Froxx CD-ROM, electronic couture, all-in-one consoles, Yushityu nanoprocessors, laser chromotography, Virtual-capable media-cards, fiber- optic pulse, digital encoding, killer apps; carpal neuralgia, phosphenic migraine, gluteal hyperadiposity, lumbar stressae.

3 NOVEMBER — YEAR OF THE DEPEND ADULT UNDERGARMENT

Rm. 204, Subdormitory B: Jim Troeltsch, age seventeen, hometown Narberth PA, current Enfield Tennis Academy rank in Boys’ 18’s #8, which puts him at #2 Singles on the 18’s B-team, has been taken ill. Again. It came on as he was suiting up warmly for the B-squad’s 0745h. drills. A cartridge of a round-of-16 match from September’s U.S. Open had been on the small room viewer with the sound all the way down as usual and Troeltsch’d been straightening the straps on his jock, idly calling the match’s action into his fist, when it came on. The illness. It came out of nowhere. His breathing all of a sudden started hurting the back of his throat.

Then that overfull heat in various cranial meatus. Then he sneezed and the

stuff he sneezed out was thick and doughy. It came on ultra-fast and out of the pre-drill blue. He’s back in bed now, supine, watching the match’s fourth set but not calling the action. The viewer’s right under Pemulis’s 21 poster of the paranoid king that you can’t escape looking at if you want to look at the viewer. Clotted Kleenex litter the floor around his bed’s wastebasket. The bedside table is littered with both OTC and prescription expectorants and pertussives and analgesics and Vitamin-C megaspansules 22 and one bottle of Benadryl and one of Seldane, only the Seldane bottle actually contains several Tenuate 75-mg. capsules Troeltsch has incrementally promoted from Pemulis’s part of the room and has, rather ingeniously he thinks, stashed in bold plain sight in a bedside pill bottle where the Peemster would never think to check. Troeltsch is the sort that can feel his own forehead and detect fever. It’s definitely a rhinovirus, the sudden severe kind. He speculated on if yesterday when Graham Rader pretended to sneeze on J. Troeltsch’s lunch-tray at the milk-dispenser at lunch if Rader might have really sneezed and only pretended to pretend, transferring virulent rhinoviri to Troeltsch’s delicate mucosa. He feverishly mentally calls down various cosmic retributions on Rader. Neither of Troeltsch’s roommates is here. Ted Schacht is getting the knee’s first of several whirlpools for the day. Pemulis has geared up and left for 0745 drills. Troeltsch offered Pemulis rights to his breakfast to fill up his vaporizer for him and call the first-shift nurse for ‘yet more’ Seldane nuclear-grade antihistamine and a dextromethorphan nebulizer and a written excuse from A.M. drills. He lies there sweating freely, watching digitally recorded professional tennis, too worried about his throat to feel loquacious enough to call the action. Seldane is not supposed to make you drowsy but he feels weak and unpleasantly drowsy. He can barely make a fist. He’s sweaty. Nausea/vomiting like not an impossibility by any means. He cannot believe how fast it came on, the illness. The vaporizer seethes and burps, and all four of the room’s windows weep against the outside cold. There are the sad tiny distant-champagne-cork sounds of scores of balls being hit down at the East Courts. Troeltsch drifts at a level just above sleep.

Enormous ATHSCME displacement fans far up north at the wall and border’s distant roar and the outdoor voices and pock of cold balls create a kind of sound-carpet below the digestive sounds of the vaporizer and the

squeak of Troeltsch’s bedsprings as he thrashes and twitches in a moist half- sleep. He has heavy German eyebrows and big-knuckled hands. It’s one of those unpleasant opioid feverish half-sleep states, more a fugue-state than a sleep-state, less a floating than like being cast adrift on rough seas, tossed mightily in and out of this half-sleep where your mind’s still working and you can ask yourself whether you’re asleep even as you dream. And any dreams you do have seem ragged at the edges, gnawed on, incomplete.

It’s literally ‘daydreaming,’ sick, the kind of incomplete fugue you awaken from with a sort of psychic clunk, struggling up to sit upright, convinced there’s someone unauthorized in the dorm room with you.

Falling back sick on his circle-stained pillow, staring straight up into the prolix folds of the Turkish blanketish thing Pemulis and Schacht had Krazy- Glued to the ceiling’s corners, which billows, hanging, so its folds form a terrain, like with valleys and shadows.

I am coming to see that the sensation of the worst nightmares, a sensation that can be felt asleep or awake, is identical to those worst dreams’ form itself: the sudden intra-dream realization that the nightmares’ very essence and center has been with you all along, even awake: it’s just been… overlooked; and then that horrific interval between realizing what you’ve overlooked and turning your head to look back at what’s been right there all along, the whole time. … Your first nightmare away from home and folks, your first night at the Academy, it was there all along: The dream is that you awaken from a deep sleep, wake up suddenly damp and panicked and are overwhelmed with the sudden feeling that there is a distillation of total evil in this dark strange subdorm room with you, that evil’s essence and center is right here, in this room, right now. And is for you alone. None of the other little boys in the room are awake; the bunk above yours sags dead, motionless; no one moves; no one else in the room feels the presence of something radically evil; none thrash or sit damply up; no one else cries out: whatever it is is not evil for them. The flashlight your mother name- tagged with masking tape and packed for you special pans around the institutional room: the drop-ceiling, the gray striped mattress and bulged grid of bunksprings above you, the two other bunkbeds another matte gray that won’t return light, the piles of books and compact disks and tapes and tennis gear; your disk of white light trembling like the moon on water as it

plays over the identical bureaus, the recessions of closet and room’s front door, door’s frame’s bolections; the cone of light pans over fixtures, the lumpy jumbles of sleeping boys’ shadows on the snuff-white walls, the two rag throw-rugs’ ovals on the hardwood floor, black lines of baseboards’ reglets, the cracks in the venetian blinds that ooze the violet nonlight of a night with snow and just a hook of moon; the flashlight with your name in maternal cursive plays over every cm. of the walls, the rheostats, CD, Inter- Lace poster of Tawni Kondo, phone console, desks’ TPs, the face in the floor, posters of pros, the onionskin yellow of the desklamps’ shades, the ceiling-panels’ patterns of pinholes, the grid of upper bunk’s springs, recession of closet and door, boys wrapped in blankets, slight crack like a creek’s course in the eastward ceiling discernible now, maple reglet border at seam of ceiling and walls north and south no floor has a faceyour flashlight showed but didn’t no never did see its eyes’ pupils set sideways and tapered like a cat’s its eyebrows’ [[V]] and horrid toothy smile leering right at your light all the time you’ve been scanning oh mother a face in the floor mother oh and your flashlight’s beam stabs jaggedly back for the overlooked face misses it overcorrects then centers on what you’d felt but had seen without seeing, just now, as you’d so carefully panned the light and looked, a face in the floor there all the time but unfelt by all others and unseen by you until you knew just as you felt it didn’t belong and was evil:

Evil.

And then its mouth opens at your light.

And then you wake like that, quivering like a struck drum, lying there awake and quivering, summoning courage and spit, roll to the right just as in the dream for the nametagged flashlight on the floor by the bed just in case, lie there on your shank and side, shining the light all over, just as in the dream. Lie there panning, looking, all ribs and elbows and dilated eyes.

The awake floor is littered with gear and dirty clothes, blond hardwood with sealed seams, two throw-rugs, the bare waxed wood shiny in the windows’ snowlight, the floor neutral, faceless, you cannot see any face in the floor, awake, lying there, faceless, blank, dilated, playing beam over floor again and again, not sure all night forever unsure you’re not missing something that’s right there: you lie there, awake and almost twelve, believing with all your might.